Cats+Quilts=Love

Pictured above is my beloved cat, Ryan napping on my latest project, a Dresden Plate quilt I’ve been anxious to finish. I started it years ago. But I decided it was time to finish. Well thanks to Ryan, maybe not today.

Ryan loves to make herself comfortable on my quilts. I take her adoration as an extreme compliment.

I guess she fell asleep after wearing herself out stretching, writhing, and contorting herself into odd angles, as cats often do. I realized quilting was futile, so I gave up trying to free motion quilt with a cat on top of the fabric. This is a pretty large quilt and moving it under limited space of my little sewing machine is a challenge anyway, but with the weight on one end, really made things difficult. I decided it was time for a lunch break.

Ryan is always up for providing the entertainment to my tiny quilting space, or pretty much any other activity for that matter. This cat is like none other I’ve ever known.

Ryan and her sisters were born 13 years ago on a hot July day on the front porch of the home I share with my husband, John. Her mother is a pretty and petite Calico cat, a stray until she decided to adopt us.  She kept hanging around the house, peeking in windows until we finally gave in and let her come into the house. She wasn’t much more than a kitten. But one day she decided indoors was not her thing. She broke out the screen of an open window and took off into the woods. She didn’t go far, and rarely was out of sight, but it was far enough apparently. One day I noticed her girth had changed. She was a little rounder in her middle. I knew immediately that she was pregnant.

Timi was pretty young to give birth, so I wasn’t sure how well things would go. I was there to help if need be. I read up on what to do before the big day so I was prepared. I had a birthing box ready for Timi, all lined with the latest edition of the local news of our town. Another box was lined with a baby afghan left over from my own kids.

One late morning I was sitting at my computer desk when Timi jumped up to the window next to me. She climbed onto the screen and was clawing in a frenzy and was meowing in a voice I hadn’t heard before. I knew it was time. I met her on the front porch, she jumped into the box and before long I saw the most adorable little gray and white kitten. Timi cleaned it, licking, licking, licking until it was dry and fluffy. She had no qualms about letting me take her kitten. That was my introduction to Ryan and it was love at first sight. I held her gently, talked to her, and kept her warm in my hands.

Timi then delivered another, and another, until there were five. I love them all, but Ryan and I have something special between us.

I was very impressed with how Timi settled into her new role of motherhood. I’m not sure what my role was, but I know it changed my life as much or more than it did hers.

I decided I couldn’t part with any of the kittens, so I kept them all. The last one born lived only 11 days. The third one—Boo—was born with a deformity and weakness on her right side. She was basically a three-legged cat. She lived to be 11 years old and was my second favorite. I still miss her every day. Then there are Kenni and Kasey. There is no shortage of kitty love around here.

This period of my life marked a huge quilting hiatus for me, but once I got back to it, I found I had partners. The girls just love snuggling in a new quilt, or an old one for that matter. Only Ryan likes to be involved in the process however. I guess it started when I did most of my quilting by hand. She loved to sit beneath the quilt while I worked on it. I guess once I decided to adapt to machine quilting, Ryan did too. Now, she seems pretty content to sit on top rather than under it.

Having cats just adds one more dimension to my love of quilting. Now if only I could get the girls to stitch-in-the-ditch or hand sew binding, I’d have it made.

I just had an epic quilting day

I finally completed my latest quilt top. This quilt—Sizzle—the 2019 Block of the Month project from The Quilt Show was designed by Becky Goldsmith, who did an awesome job creating and sharing this lovely pattern and providing instructional videos. She also included numerous tips and ideas that were very helpful.

This project took up most of 2019 for me, even though I got a pretty late start on it. The blocks were paper pieced and the border was appliqued.

The project was billed as a kit, but the pattern was free to members of The Quilt Show, co-hosted by Alex Anderson and Ricky Tims. I love this show and have written about it many times in CHQuilts. I decided to pick my own colors and fabrics for this project. It is similar to the color of the kit fabrics, but I wanted to use my own. I really enjoyed picking my own color combinations for each block. These are some of my favorite colors.

This project offered great challenges for me. This wasn’t the first time I’ve done paper piecing, but these patterns were fairly complex. Each endeavor honed my skills. Ironically though, each attempt at something new, whether I’ve done it before or not, always feels like a first. Perhaps the real skill I’m really improving upon is simply overcoming the fear of cutting into all that beautiful yardage.

Like paper-piecing, this wasn’t the first time I’ve used applique on a quilt, but the technique, which I’ve described in a previous post in CHQuilts, was new to me. I am pleased with the results.

I’m not sure what kind of backing fabric I want to use or if I want to piece the backing. And, I have no idea how I want to quilt this quilt. I may spend some time working on other projects as I attempt to figure that out.

The second part of my epic quilting day had to do with a quilt I’ve had lying around unfinished for far too long. It is a purple Dresden Plate quilt that I chose to hand-quilt. I decided to work on it last night, while listening the Donald Trump impeachment hearings.

I found that I was just not enjoying the hand-quilting as much as I once did, at least not on this quilt. That was a reason I wasn’t working on it. I just didn’t want to admit it to myself. But last night, I decided to be honest about it. I just wasn’t loving it like I normally do.

There were many reasons for this, not the least of which included some wrinkling in the backing fabric. That is a real no-no!

I had initially spray-basted the quilt sandwich and over time, and this neatly folded piece of fluff in the living room became a favorite resting place for one or more of my cats, the integrity of the quilt sandwich had broken down. I made a big mistake as well, in trying to quilt all the ‘plates’ first instead of starting in the middle and working outward. In fact, I hadn’t even decided what to quilt in the borders. That decision along with some marking should have been done from the middle out. I also quilted without a hoop. By not working from the middle out, it was dangerous not to use a hoop and keep the backing tight. I had only completed the quilting on five of the 20 blocks.

Additionally, I wasn’t careful about how I pressed seams, so trying to work the needle was difficult. I no longer have calluses on my fingers so pricking my finger and the edge of the thimble was just not comfortable. I also noticed that my eyesight isn’t what it used to be. For all these reasons I decided I would quilt this quilt on my sewing machine.

With all these factors, I made the decision to remove all the stitching I had already done. I grabbed my favorite seam ripper and began making a huge pile of thread. I got all of my “unsewing” completed that evening.

Just having that decision made, and having a clean project ahead, I’m getting a little bit excited about finishing this quilt.

I really enjoy hand quilting it isn’t drudgery as this one was. When there are just two layers of fabric and batting, which was not the case with these tiny blades of the Dresden Plate, hand-quilting is a joyful activity. That was not the case with this project. I think I knew I would never finish it. So, that has all changed. I’m excited about pressing the fabric again and starting over with my sewing machine. Truthfully, I can’t wait to get started. I suspect this will be a beautiful quilt.

Quilting and cats just seem to go together

I have finally started hand quilting my Dresden Plate quilt, although there are
challenges. 

Quilting with Ryan

One of them, at right, is pretty obvious. Ryan just loves to be where the action is. She loves hanging out with me, for which I am oh-so-flattered. She is the greatest quilting supervisor, and she is always positive. I don’t think she has ever curled up on or under a quilt she didn’t like.

I can’t say that I mind either. I considered quilting to be an enjoyable activity, so a few cuddles from one of my favorite cats fits right in. Ryan is one of four and we have her mom too. For me, quilting is therapy and so is enjoying our pets.

Finishing this quilt will take months, so a few minutes here and there to bond with my girl won’t hurt a bit.

Spray basting, plan B

I admit it; I was pretty bummed about my first attempting at spray basting a quilt, detailed in an earlier post. 

But that is behind me. What I didn’t reveal, because I only realized it later, is how important it is to read directions. I had no idea I was supposed to finish the bonding process by pressing the piece. Needless to say, my failing to perform that all-important step, resulted in the layers not sticking together. Once I realized my mistake, I was a little bummed. Beyond my own foolishness was the knowledge that I had to spray baste the whole quilt all over again. I knew it would be even be more challenging this time, since I had already quilted an entire motif, right in the center of the quilt that I would have to work around.

I decided that working on the floor was just not an option this time around, so I cleared off the dining room table, put the leaf in it, and set out to flatten out my quilt, upside down. Of course the table wasn’t big enough to accommodate the entire quilt, but I moved it around, folded back some at a time to spray every little nook and cranny, keeping the back as wrinkle-free as possible. Then I pressed it, as it sat on the table. I’m sure that wasn’t good for the table, but a woman has to do what a woman has to do. I made sure I kept the iron moving and it didn’t appear to get too hot three layers down. Once the back was all sprayed and pressed, I worked to secure the quilt top to the bottom fabric and batting which was now one layer since it was stuck together. I walked around that table a gazillion times, folding, smoothing, spraying, smoothing again, and finally pressing. Finally, it was all done. When all else fails, read the directions. So for now, I’m a fan of spray basting. It is so much easier than all those darned safety pins or sewing.

My next challenge is to quilt with or without a hoop. I tried using a large oval hoop, but that was just too cumbersome. Then I dragged out a smaller round one, which was a definite improvement. But, it is actually so much easier to quilt without a hoop at all. Hand quilting got a little easier, once I got the feel of it again. I recently watched Alex Anderson of Simply Quilts and The Quilt Show fame as she spoke about learning to hand quilt. She said to give yourself about 20 hours to get comfortable with hand quilting. I’d say that is about right.

It will be more fun to quilt when it gets cold outside. There is nothing more relaxing than quilting and snuggling all at the same time. 

Accommodating my quilting bucket list

I’ve wanted to make a rag quilt for some time. I’ve also wanted to make a string quilt. Add to the mix, my desire to make a little quilted rug for my bathroom. I had a quilted rug before, but decided to use that as a table topper for my new file cabinet. So, I had nothing in front of the sink. That is no place for a naked floor, so I put all my bucket-list desires together and came up with a plan. 

This is the result. 

I took some leftover scraps from a yellow quilt, cut them into strips and made a few blocks. I got tired of that, and figured nine was enough, so I just alternated them with a few neutral yellow blocks. I made them all 6 ½-inch squares. Then I cut the same number of squares for backing, and a similar number of 5 ½ inch squares of batting. I placed all three together sandwiches together and sewed a simple “X” across them to hold them in place. I sewed a ½” seam between the squares.

 It was all done in one day. While watching TV that night, I snipped the seams, rather closely—in fact—close enough to make my fingers sore. I got it slightly wet and threw it into the dryer. The more I wash it the better it will look. For now though, it suits my purpose. I can’t wait to make a full size quilt with this simple method, but not until I invest in some ratchet scissors for all that snipping.

I have been saving old blue jeans just for this purpose. And, I have the cutest pink heart flannel to go with it. One of these days, I will actually get to it.

Quilting never ceases to amaze me

I just realized that one more aspect of quilting--one that I had never even considered--is how it has improved my writing.

No, I don't mean writing as in crafting a blog post, I mean my actual handwriting. I'm a handwriting fan, always have been and always will be. When I heard that some schools wanted to do away with teaching handwriting, I was livid. I think it is a vital communication skill that is also a well-rooted tradition. Imagine if John Hancock and other signers, simply printed their names on the Declaration of Independence. But that is another blog post in another blog. In fact, I already wrote it. https://rural01.blogspot.com/2012/07/cursive-writing-should-always-be-taught.html

But back to quilting. I've noticed that since I've been free-motion quilting, I have to consciously try to keep straight lines straight, without marking the fabric (because I hate to mark). I have learned to judge distance from seams and other lines of quilting; in essence training my eye. I used to be embarrassed about my writing, because it was always uphill. I compensated by always buying stationery with lines. 

I'm old enough to remember when we used to write letters to friends and family. I always loved to communicate, so I wrote lots of them. I used to receive many compliments on my penmanship. When I was in grade school, it was my best class. I remember once my mother-in-law had to send out thank you notes for some occasion. I was honored that she asked me to write them because she liked my writing. Personally, I don't think it is anything special, but I do enjoy writing, even though most of my writing is done on the keyboard now, like everyone else. 


I did notice though, while writing a shopping list or addressing an envelope, or whatever I write, that I don't write uphill anymore. Oh, there is still a little hint of it, but not like before. By the way, please don't judge my handwriting skills from this tiny snippet. And by all means, don't judge my spelling skills here either. Who spells strawberries with only one "r"? 

Anyway, you get the point...This is just another reason to love quilting. 

UFOs are starting to fill my world

Up until now I've been pretty good at keeping my UFOs (UnFinished Objects) to a minimum. It seems I just can't contain myself though. There are so many quilts I want to make and so many new techniques I want to try. Neither my hands nor the hours in the day can keep up with all my desires.

Since this is the first month in a new year, and I have warmed up my blogging chair a little, this might be as good a place as any to take a little inventory.

First, there is the above pictured Dresden Plate quilt top that needs to be quilted. initially I wanted to free motion quilt this, but it might be nice to quilt it by hand. It has been a while since I've done that and it might be nice to get back to basics with this classic Dresden design. Or, I could do a combination of both free-motion quilting and hand-quilting. Until I get it put together with backing and batting, I won't really know.

I still have Christmas fabric sitting next to my sewing machine, just begging me to cut it up into pieces, to be sewn together. It might be nice to get ahead of the game for a change.

I still have one more project to do from my recent Craftsy class, Quick Strip Paper Piecing. I have to try my hand at Peggy Martin's New York Beauty blocks.

I even have a calendar quilt top, one with a different block for each month, that I started a few years ago. It was a Block of the Month (BOM) project, probably my first. Kasey seems to like it, which is incentive enough to turn it into something lovely.

I liked making BOMs so much that I was hooked and have done several more since. This quilt is very busy with lots of different colors. I have actually been thinking about this one a lot lately. It is a lap size quilt at the moment, but there is no reason I couldn't add a border to it, or even several borders. I think it would make a really lovely quilt when it is all finished. I would like to put it together and perhaps quilt it on the machine. It would be very challenging to come up with quilt designs for all twelve of these very diverse blocks.

There is the Jinny Beyer quilt kit from Jinny's Craftsy class--the 2015 BOM--that remains in the plastic sleeve it came in. I look at it every night, as it sits on a table in my room. I have been waiting for a large block of time to start on this one, but haven't found that yet. This one will be special, as Jinny is another one of my quilting heroes. She is such an incredibly talented quilter and lovely woman who I have related to since the first days I saw her on Simply Quilts, many years ago.

I now have one more thing to add. Craftsy has another BOM for 2016. It is taught by Lynette Jensen, another quilting icon. I really like this quilt and have decided that if at all possible, I'd like to make it. It starts out with a medallion-like center filled with hourglass blocks. It is done with borders and includes a pretty applique border.

So what's next? How about Orchid Flowers?

My pink flamingo quilt has been done for a few days now. Not having a project at my sewing machine has made me feel unfocused and a little scattered.

I need to get back to my sewing just to keep me sane, or at least aim for that.

I've been in a quandary though about just what the next project will be. I have so many ideas and there are so many options available. I have all but decided to revisit a UFO (UnFinished Object).

I think my next quilt will be one I started some time ago--a traditional Dresden Plate quilt in shades of lavender. I shall call her Orchid Flowers.

I did a little playing around with my Electric Quilt 7 software, just to come up with some kind of idea of what I want to do. I came up with this as roughly what it will look like.

I've always been drawn to these kinds of traditional quilts.

I already have a good start on this one, with several of the Dresdens already appliqued onto background squares. The squares are alternating white and off-white paisley prints. I love just about anything paisley. One day I am going to make an all paisley quilt, but I have some fabric to collect before that ever happens.

In my off-time, I'm also revisiting Craftsy's Quilt of the Month 2015 quilt. The class is taught by Jinny Beyer, one of my absolute heroes of the quilting world.

I haven't decided yet if I'm going to go all in--order the kit and make an exact duplicate of the beautiful quilt Jinny creates. There are always options, to just practice some of the techniques for another time, or pick out my own colors and fabric and go from there.

The kit is a lot of money to spend at one time, something I rarely do. I'm also a little leery of having a finite amount of fabric, just in case I cut into it and make a mistake. Ruining a piece of fabric would be costly, in so many ways. So the jury's still out on this decision.

I do love some of the techniques she teaches. In fact, I rather like the idea of piecing the quilt by hand. Jinny is masterful at her techniques. I love her color theory as well. I'm leaning toward purchasing the kit but haven't completely made up my mind yet. One morning I will wake up and know that is the right thing to do. I have always been curious about the beautiful border prints Jinny has designed. They look positively delicious. The colors are always rich and lovely. I have not had the time to actually participate in her classes, but I have watched all of them. The more I watch, the more I want to jump right in. But, I'm waiting until the time is right and I have a little more time.

I am also taking the Craftsy class with Peggy Martin on strip paper piecing. I have been watching those too before jumping in, and I'm starting to get excited about trying her techniques as well.

There is never a shortage of new things in the quilting world. I am so surprised by that. Each new door opens many others. There are so many things I want to try; there are so many things I have yet to perfect. Of course, the goal is always to master a skill, but more importantly, it is to enjoy the process along the way.

Pink Flamingo - latest finish

There is nothing quite like completing a quilt.

I've been reveling in my latest 'finish' for a few days now, just looking at it, running my hands across the stitches, admiring my own handiwork, and at the same time, trying to ignore its imperfections. I'm pretty happy with my Pink Flamingo Quilt. I made it just for this room, the cat's room, or what I recently named the lanai (I decided to call it that so I can pretend I'm in Hawaii or some other tropical paradise.)

I think this quilt is a perfect addition. So, apparently does my Ryan, who is sunning herself in the morning's brightness of the east-facing window. Ryan is my best quilt critic, although I've never gotten any negative feedback.

Not only does this photo show one contented kitty, but it also shows some of the intense stitching that went into this project. Once again, I'd like to thank Leah Day, one of the best quilt instructors, for her quilt and stitch design. She is truly amazing, knowledgeable, and eager to help the rest of us become better quilters. This project was truly a learning experience and confidence builder.

This is my third quilt using free-motion quilting, or machine quilting. It is certainly a case of the more you do it the better you get. I still have some issues, but I can work around them.

Still not fond of stitch-in-the-ditch quilting
Interestingly, one of my least favorite things about free-motion quilting remains, stitching in the ditch, which is one of the most basic quilting practices. It is basically stitching between seams to outline elements in the quilt. I can stitch a straight line all day without aid, but when it comes to following that seam line, I just can't seem to control my needle. It seems to misbehave as it jumps from one side of the seam to the other on its own. As you can see above though, even a little needle mischief is hidden by the quilt itself, once it is laundered.

Love the magic
I have said it before and must reiterate--I love the ending of a project, but not just because it is finished.

I've always been the kind of person that saves the best for last. Like that last bite of cake is always the one with the most frosting, the best moment in a quilt project, for me, is when it has come out of the washer and dryer. There is no other way to describe it than to simply say it is magic. Stiff, flat fabric sewn together goes into the washer, but a soft, pouffy quilt comes out of the dryer. Somewhere in between during that whole laundering process, it magic happens!

As much as I love that last moment, it is always terrifying. I liken it to the first moment in quiltmaking which is just as scary. It starts when all those luscious fabrics that will make up the finished quilt are carefully chosen. They nestle together, folded neatly, to envision how the varying colors and patterns will compliment one another. Then, suddenly, the fabric is unfolded and meets the rotary cutter for the first time. Yikes!

But in the end, when the magic is happening, who can really be certain if the colors will run or fade, or if the fabric will shrink so much that it compromises the integrity of the quilt? After all, placing a newly-completed quilt in the washing machine is the first time you give up control of what took months to complete and represents hours and hours of work. You just never know what will happen to your beloved quilt inside the washer and dryer.

This practice has never come back to bite me--at least not yet! I always use Shout Color Catchers, which absorbs wayward dyes. I have never had a problem. If I did, I'm sure I would change my ways, but so far, so good.

I never pre-wash fabric
This process might be less scary if I pre-washed fabric, but I've never done that. Unless I am faced with a disaster, I never will.

I've often said that I love every aspect of making a quilt, from choosing the design, to the selecting colors, to picking out fabric; I love the cutting and piecing, and of course the quilting. If I had to wash all my fabric and iron it before I used it, that would not make me happy. That would be work. I don't work at quiltmaking. I do it for fun. Besides, I love working with fabric right off the bolt. I realize the fabric is treated to give it integrity, but that just makes it easier to work with. If I had to wash it, I'd have to starch it heavily just to put that texture back again. So, why bother?

So what's next?
There's the question of the hour. I haven't made that decision yet, but I'm working on it. This decision isn't an easy one either. Lots goes into making a quilt, so lots of thought has to go into it. When I devote months to a project, I want it to be one that I will enjoy throughout the entire process. So, stay tuned!

Quick tip -- how to fix minor mistakes when marking the quilt

Just a quick tip today...

I wanted to share a little something I do quite often at my sewing machine that other quilters might find helpful having to do with marking the quilt.

Since I've been free-motion quilting exclusively of late, and I hate marking, I always try to keep it minimal. But there are times I like to draw onto my fabric to guide my quilting. Often times, I make mistakes, thus this quick tip.

First of all, I usually use a blue marking pen, where lines disappear when wet.

Near my sewing machine, I keep a jar filled with pens, pencils, markers, and a paint brush. I also keep a spray bottle close at hand. When I finish a block, a quick spray erases the marking lines and reveals all that beautiful quilting. There are other uses too, such as moistening a paper towel to clean up lint or one of my favorite uses--to discipline a wayward kitty doing something she shouldn't. Fortunately, we're at the point now where just picking up the spray bottle is enough to make her stop the naughty business. Who says you can't train a cat?

HERE'S THE QUICK TIP} I use the spray bottle to make a tiny puddle on the surface of my cutting board or in my case, the counter top. I dip the paint brush into the puddle and 'erase' any lines I've marked in error.

It is so easy to make a mistake when 'drawing.' This makes it really easy to fix it without soaking the fabric and having to wait for it to dry. So little moisture is needed to erase the mark that it doesn't cause any delay in getting back to sewing at all. By using a paint brush, only the line is wet, so it is no problem to mark correctly since the spot where the marking should be remains dry.

New quilting project; tweak it until it speaks to you

When I first saw Leah's latest quilt along project, I was drawn to it. Her Dancing Butterfly quilt was done in pinks and purples, my all-time favorites. Though I liked it, there was just something I couldn't put my finger on. When she offered a discount on the price, for Black Friday, I jumped at the chance.

I so enjoyed the last quilt along project with Leah Day, the one that resulted in my "Black and white and pink all over" quilt, at right, under the watchful paws of my girl, Kasey.

I love #quilting. Leah Day is a wonderful teacher who has perfected her skills in free-motion quilting and probably any other thing she endeavors. The beauty though, is that she shares her knowledge with anyone else who is interested. This makes her an excellent quilting teacher, who has already taught me so much. In addition, I like her attitude and demeanor. Who wouldn't love a woman who has the patience to teach her own husband to quilt? Josh was a big part of the Building Blocks Quilt Along, as he learned the skills right along with the rest of Leah's students; students all around the globe. I cannot imagine my husband having the patience to learn to quilt, or me having the patience to teach him. But these two are obviously special people and wonderful partners. It is a pleasure to support their efforts wherever I can.

Since this quilt along was such a positive experience, I really wanted to participate in her next project, which was also a quilt along, but with applique added. That is a skill I have yet to master, so I thought it might be beneficial to join in.

I loved the beautiful batiks and the colors she used. I am not normally someone who does exactly as I'm told, but I wanted to make this quilt just like she did. If she would have offered a fabric kit for sale, I would have bought it hands down, even though that isn't something I would normally do.

But since that wasn't an option, I found some fat quarter batiks on sale for a ridiculously reasonable price from Connecting Threads. I would have bought them anyway because they were beautiful, but I figured on using this delicious fabric for the butterfly project. Then I read the materials list. It called for 2/3 of a yard of several fabrics. I only had fat quarters. I didn't know if it would work, so I decided to rethink all my options.

I downloaded the pattern and examined several of Leah's videos. This looked like loads of fun, but something was bothering me. I attributed it to the hard decision to pick out just the right fabrics and thread colors.

In the meantime, I had ordered new quilting software Electric Quilt 7. I had EQ5, but it was so old and obsolete. I am a frugal quilter, so I really balked at the price of this software, at $189. That was too steep for my blood. Then, I found it on sale for $30 less on Amazon, as another Black Friday deal. I knew it would never be any cheaper. So I reasoned that it would be a nice early birthday present. Well my birthday is tomorrow and I got it two days ago. Not bad!

I started playing with the program. One of the best ways to learn new software is to just start using it. I decided I would try to mimic Leah's butterfly quilt design. I figured it out. Learning new software isn't much fun if you can't tweak it, so I changed the butterflies to pink flamingos.

Hallelujah! That was it! That was what was bothering me. It wasn't the decision about fabrics. it was that I wanted to make a quilt that spoke to me. Every quilt I've ever made has spoken to me.

What I really wanted; what I thought I really needed was to make a quilt that fit into our newly-decorated enclosed back porch.

Just this year, we installed a laminate floor and painted it turquoise using a pink flamingos theme. That's what I wanted! It was easy to use EQ7 to turn Leah's butterflies into my pink flamingos.

I can still do Leah's quilt along in every other way except for the animal depicted.

I still have decisions to make, such as applique or paper-piecing, as well as fabric and thread color choices. And there may still be some tweaks to the design, but it should be easier now though, since I have a great idea where I'm going and where I want to end up. I love everything about the quilting process, so to pick fabric shouldn't have been a hang up.

This is like a lightbulb went on. I believe this quilt really did speak to me.

Quilting as a problem-solver and stupid mistakes

I just love the color yellow with all its tones!
(Photo credit: Wikipedia)

Nothing makes me happier than solving problems, especially when it involves quilting. 

I have no idea why yellow is such a difficult color these days. My bathroom is yellow. My bedroom is yellow. For years, they have been yellow. I like waking up with sunshine and yellow mimics that beautifully. 

Finding throw rugs and other items like bedding, for that matter, is really difficult. I'm not sure when that happened. 

I solved the bedding problem when I made a yellow quilt. 

Most recently, I even resorted to replacing an old throw rug--you know that shag rectangle with the rubber backing--with a white one. It served its purpose, keeping me from flying out of the shower with my wet feet, but I hated it. It was hard to clean, even though it was only used when stepping out of the shower. It was a hair and fuzz magnet. Yes, I have cats.

One day not too long ago, I found a yellow throw rug at Big Lots, but there was only one. Ideally, I wanted two--one for just outside the shower and one for the below the sink. No luck, so I took matters into my own hands. 

The other day I decided to make a little quilted rug for that area. The design was simple. I made a similar flower in my last quilt--off the top of my head. This is probably right out of that book, All I really need to know I learned in kindergarten, except I never read that book. 

Anyway, it didn't take very long to cut a few pieces, sew them together and quilt it. It was done in a day from design to quilting.

I wish that was where my story ended. I was a little apprehensive about sewing the binding, since those are pretty sharp curves to deal with. So, I woke up the next morning, all ready to cut some bias strips. 

When I inspected my handiwork, my heart sank. I had sewn the brown center over the pedals without taking out the pins. Sheesh! If there is one thing quilting has taught me, it is how to deal with my many stupid mistakes. I seem to make them all the time. 

There was no way to unsew all the quilting, so the only option I had was to cut through the back to pull them out. They were bead head pins, so at least I could feel where they were. At first I tried a wire cutter, thinking I could just leave them inside, since they would be beneath two layers of batting. Then I thought about putting the tender soles of my feet onto a broken pin that was still attached to that bead. Finally, I got out my scissors and seam ripper and did a little surgery in six places on the back of my quilt. The holes are so tiny, they are hardly noticeable. I will cover them with a non-slip backing, which is necessary anyway. The binding wasn't bad either, so I'm glad to have another project in the books, and a rug in front of my sink.

New and better tools

Last summer, I wrote a blog post entitled "It is all about the tools." I referenced the benefits of my new Dritz Petite Press mini iron. 

Today I'd like to expand on the tools theme to add my latest acquisitions--a new adjustable height task chair and a sewing extension table. 

I don't have space in my house for a sewing room, but I do have a dedicated sewing area off the kitchen. It is sometimes a challenge to work in a small space, but I manage pretty well. 

Probably the hardest part is keeping the area neat and clean. I just finished my latest quilt, so there were threads and scraps and fabric yardage everywhere. I had bags of this and bins of that littered all over the place. 

There is little hope of keeping this area tidy while I'm in the middle of a #quilting frenzy. That is what I call the time when I'm finishing up a project am so busy I forget to eat. Fortunately I have a husband who cooks. 

During those times even my coffee gets cold because I'm too engaged to remember to drink it. 

But once that time is over, I actually enjoy the cleaning. I like folding fabric, sorting into sizes and colors, and then putting it all back into flat storage bins I keep under the bed. That is the primary place where my stash is kept. And those bins are invaluable tools.

My sewing machine is new and I want to keep it looking good, so this is also a good time to clean the surface of all the thread and dust as well as all that lint that collects near the bobbin. It is amazing how much builds up there. 

I also like to change the needle and rotary cutter blade. Quilting just isn't possible without those essential tools. Besides, I love being ready for the next project.

Latest tools

Since this new chair has black fabric on the back and seat, I made a covering for it, one that will not be a magnet for white cat hair, since my cats love my sewing area. That window faces south, so the sunshine, especially at this time of year is attractive to those with paws.

My new sewing table, made by Sew Steady, was custom made, ordered through my local sewing machine dealer. It is a tool that extends the base of my machine, mimicking a sewing cabinet. The machine is flush with the table, so I'm hoping it will help to support large quilts. It hadn't arrived in time to finish my last quilt, but I have no doubt it would have made the process of binding all those individual blocks together just a bit easier. Sewing all those seams was a bugger, and gravity was not my friend. 

I also hope this table will inspire me to try something new--to quilt an entire quilt--rather than simply blocks at a time. I've been thinking of doing this for some time now, but until now wasn't quite ready. I am now. 

As it turned out, this new chair, a typical office chair with no arms, is a necessity since the height of the table requires me to sit higher than I could with the chair I had been using. It also allowed the fourth dinging room chair to go back to where it belongs.

Tools are meant to help us be more productive. Although there are many things I want, I'm happy to settle for the things I need, those things that make me more efficient. 

Love those finished quilts

Saturday night concluded another epic quilting journey. I doubt there is little that is more satisfying than finishing a quilt. 

I finished this about 7 p.m. which is way beyond my quilting comfort zone, but the power went out at our house for a couple hours. The idle time gave me a while to contemplate the quilting journey I was just wrapping up.

This quilt is from the Building Blocks Quilting project sponsored by my FMQ (free-motion quilting idol,) Leah Day. Her pattern for this quilt-along consisted of 42 blocks that focused on both piecing and FMQ skills. When I began the class, I already had some FMQ experience, but I always like to learn new tips, ideas, and techniques. I also relish the opportunity to practice my skills. There are some that I just can't quite master, like interestingly enough--the most basic skill--stitching in the ditch. I'm terrible at it. I need more practice at it.

My first decision

The pattern called for two solid fabrics, so the stitching would reveal mistakes as well as show positive progress. Many of the gazillion people who signed up for this quilt-along, from all areas of the globe, had never done FMQ before. 

This is my third FMQ quilt however, so I'm not a complete novice, though I still feel like a beginner in many ways. 

I had always wanted to do something with black and white fabric, which I had been collecting. So I decided early on to use a variety of that with my other favorite color--pink. To be honest, I'm not sure pink is my favorite any more. I've grown to love ALL colors. 

I also made a decision midway through that I wanted a bigger quilt. I reasoned that since I had never worked with varied-sized blocks before, I wanted to give that a try. So when everybody else was finished with their 42 eight-inch blocks, I was still at it. At this point, followed the lead of one of my fellow quilters on the Building Blocks Facebook page, that had put tiny pictures of her finished quilt blocks into the pattern grid. It was a good measure of our progress, clearly showing the yet-to-be completed blocks. I loved the idea so using Windows Paint, I took the pictures I had already taken of my blocks, resized them, and copied them onto the pattern. This is what it looked like. 

I then cut out each of those squares and individually pasted them onto graph paper, moving them around and adding a few double-sized or half-sized blocks. Because there were so many 8" x 8" blocks, I thought just a few additions would give the quilt added interest. I decided on double-sized blocks. Then I had to decide on a pattern for those 16" x 16" blocks. I chose my signature block, the Double Star, a Dresden Plate, a Chain block, and a flower block, all of which were in other quilts I've made. I made a couple of 4" x 4" blocks, one that was 8" x 16", and even filled in with a couple more standard 8" x 8" blocks. My-six by -seven block quilt had grown to almost twice the size of the original. It was now 7 blocks wide and 10 blocks long. 

Finally, when all the blocks were done, and I laid them out and took a digital picture of the final layout. At the same time, I tried to vary the layout of the back of the quilt. The printout was my final diagram. Then I set out to join the blocks with the QAYG (quilt-as-you-go) method. 

This was particularly challenging for me. I never did binding by machine before. I had a really hard time keeping my seams straight at the same time as trying to hold the fabric in place. I used my walking foot, but I'm not sure if that was a help or hindrance. It seems as though this took arm strength to manipulate that heavy quilt. I found it to be exhausting. The last quilt I did used 12" blocks plus a sashing around them which resulted in far fewer seams to bind. 

With the varied sizes, I had to also figure out the proper order to sew the blocks. It was not as easy as just sewing all the verticals and then all sewing all the rows together. 

Once I figured it out, I labeled each grouping of rows. For example the first row was easy; one after the other. But for the second row, I marked the first 2 blocks as row 2 A because they had to be sewn to the top of the 16" flower block. The next 3 blocks were labeled row 2B because they had to be sewn to row 3B before they could be attached to the huge star block, and so on. The figuring wasn't difficult, but following my own directions were a bit iffy. I got pretty proficient in seam ripping. More than once I sewed the rows incorrectly and had to flip them and do it all again. 

It took three full days and part of the fourth to finish this part of the process. When I finally reviewed the method for making a two-toned border, I had far fewer problems. In fact, this was the first time I bound a quilt without having to look up the directions on how to finish. I joined the binding strips on the first try. 

Taking this quilt out of the dryer and seeing that nothing had fallen apart, the colors hadn't run, and all the quilted areas were all poofy and quilty-looking, I was a happy camper.  

If fact I am anxious to start the next one. 

See this and other quilts from the Building Blocks Quilting Project here.

Quilting challenges; jumping in with both feet

My quilting pursuit has led to an insatiable desire to further challenge myself. And, there are so many possibilities. It seems there are always new skills to practice and new ideas to ponder; there is always something to try that I haven't done before. From what I can see, quilting has no bounds.

This is such an exciting time to learn, not just about quilting, but whatever our interest. It is easier than ever before to get answers to each question that comes to mind. Just Google it. Someone has probably asked the same question already to which multiple answers are available.

For me, and my latest quilting obsession, my questions are often satisfied by the abundance of You Tube videos filled with instruction and inspiration. I'm so grateful to the many artists that have come forward to share information and techniques with the rest of us.

My most recent quilt, 'Stars on Point,' was more to me than a comfy coverlet for the bed. It was a learning experience.

I learned new skills and honed some of those I had already become familiar with. I've already written about some of those in earlier posts, but to summarize, the following are just a few of my challenges from this project:

• Moving bravely away from monochromatic projects; This is the first time I designed a two-color quilt.
• More precise piecing; There is no end to the need for practice matching points and keeping seams straight. Precision is necessary in cutting, sewing, and pressing.
• Practicing paper piecing; Some of these blocks were created using paper-piecing. I hated it when I first tried it. Now, I'm seeing how useful it can be and am anxious to further explore this technique.
• Practice at free-motion quilting; I will always need to practice this skill. Thankfully, I have noticed an improvement since I first started. I am now more comfortable free-motion quilting. This is the second quilt I have done this way--as a quilt-as-you-go (QAYG) project, where the quilting is done before assembling the quilt rather than after. I'm hooked. I've learned that quilting is more than a way to anchor the piecing. It is a design element all its own, enhancing the look of the design.
• First steps at modifying and enhancing a design; This was a Block-of-the-Month (BOM) project. When the year was over, there were 12 blocks that if sewn together and quilted traditionally would have made a perfectly acceptable and beautiful quilt. But I wanted more. So, I decided to set the blocks on-point, added 6 additional blocks and matching side triangles, to form a secondary pattern. Because the blocks are the same and form a linear pattern that travels across the quilt, they serve to draw the quilt together providing unity to what would have otherwise been just random blocks.
• Laying out blocks on point, complete with figuring set in triangles; I have never done this before and didn't have the first idea how to start.
• Carrying out the desired pattern into the set in triangles; I had no idea how to do this. Math equations, triangles and me, normally do not get along well, but I muddled through it.
• Practice with Electric Quilt 5 (I bought it years ago and never used it); EQ5 saved me by allowing me to draw a template and figure the size pieces to cut for the setting triangles and corners.
• Designing a pleasing patchwork backing; I wanted this quilt to be yellow and white gingham on the back, to be reversible, so I needed to follow a pattern on the front and on the back at the same time. I took digital pictures of the layout to help with that task.

The task at hand continues the challenge

I am currently working on Leah Day's Building Blocks Quilt Along, which I have also mentioned previously in CHQuilts. I've named it simply, "Black and white and pink all over."

The work on these quilt blocks is almost finished. The diagram at left isn't current, since I've already completed three of the six remaining blocks.

I've decided however, that it might be fun to challenge myself on this project as well. The blocks are going to finish at 8" x 8". There are 72 of them, so the quilt will be lap size. I've decided to add a few blocks to it. I have never made a quilt with varied sized blocks before, but that is my aim. I have no idea if this is going to work, or if it will look good until I lay it all out. I will do keep my fingers crossed.

To figure out dimensions and what I still need to accomplish my goal, I printed out this diagram. I cut out the individual blocks and pasted them onto graph paper, drawing in the additions. So far, I've sewed a couple of them. There will be a few 16" x 16" blocks, a some  4" x 4's" and perhaps a few 8" x 4" blocks.

My first endeavor was to add my favorite block--the double star block--which I refer to as my signature block. I have made several table runners using it and I have also put it into my last two quilts. This will make the third.

I just love everything about this block and I never tire of making it. I did, however, have to figure out how to cut the pieces to the right size since the instructions I have is for a 12" x 12" block. So, once again, I used EQ5 to draw the block and print out the proper dimensions. After many hours of trying to figure out the program again, it worked! This block is 16" x 16," so it will be one of three large blocks in the quilt.

I've pieced these three blocks, (left)--the second pic contains two 4" x 8" blocks--that will be used for fillers in this quilt. I haven't quilted them yet, but am thinking of an overall stippling design. I could probably stipple all day long. That is real progress, since the first time I did this overall meander stitch, it was anything but comfortable. Now, it feels perfectly natural.

I enjoyed making these blocks. It was a day of mindless sewing as I was practicing making flying geese by sewing triangles together. That worked pretty well and this was the result. I was able to use up some scrap fabric, which also makes me really happy.

Waste not, want not!