Quilting and cats just seem to go together

I have finally started hand quilting my Dresden Plate quilt, although there are
challenges. 

Quilting with Ryan

One of them, at right, is pretty obvious. Ryan just loves to be where the action is. She loves hanging out with me, for which I am oh-so-flattered. She is the greatest quilting supervisor, and she is always positive. I don’t think she has ever curled up on or under a quilt she didn’t like.

I can’t say that I mind either. I considered quilting to be an enjoyable activity, so a few cuddles from one of my favorite cats fits right in. Ryan is one of four and we have her mom too. For me, quilting is therapy and so is enjoying our pets.

Finishing this quilt will take months, so a few minutes here and there to bond with my girl won’t hurt a bit.

I spray-basted a quilt for the first time

Ready to quilt my purple Dresden Plate quilt

I tried spray basting a quilt for the first time. Whoa, there has to be a better way. Or, I’m just not doing it right.

This exercise reminds me that when I said I loved every aspect of quilting, I lied. It isn’t a lie really, I’m just in denial about this part of the quilt making process. I have never been fond of this fundamental step-- putting a quilt top together with its batting and backing fabric—before the real fun begins. It is a very important step however.

I’ve tried several different ways and haven’t found one that doesn’t make me grit my teeth. I’ve used the traditional safety pin method, where I generally get aggravated or impatient or both, causing me to start skimping on the number of pins I use. I’ve tried Sharon Shamber’s method of rolling the quilt onto boards and then basting the three parts together a little at a time. She makes it look so easy. This is probably one of the best methods I’ve seen, but it remains timely and cumbersome with a large quilt in a small space, which is what I have to work with. This is why I wanted to try the spray basting method. I used 505 adhesive spray.

The only positive thing I can say about this step in the quilt making process, is that it is necessary. Without it, there is no process; There is no quilt. For me, that is just not an option. So, I will continue to grit my teeth.

While I recognize that perfecting this technique would be well worth it, this was just my first time spray basting. I do see the benefits. Admittedly, I struggled with getting all the layers smooth. I disliked all the on-the-floor, off-the-floor, on-the-floor that was necessary. I think hanging the quilt would make it much easier than rearranging all the living room furniture, shooing the cats away, and hoping I didn’t glue all my belongings together, not to mention the bending, stooping, and walking in circles. My only hope is to try Patsy Thompson’s method, which involves hanging the quilt and letting gravity help keep things straight. I will try that next time.

Spray basting was only part of my problem

This is also the first time I used an oversized backing fabric. I had picked out a fabric that I already had, but didn’t really like it. I decided to purchase a nice piece of lavender print that was 104” wide. I bought four yards of it.

I have been looking at this quilt for some time, actually. It was started ages ago. As outlined in a prior blog post, initially I wasn’t happy with it. It was square, so I enlarged it, adding an entire row with four brand new blocks, all the sashing and cornerstones. I was amazed how well that worked. If you didn’t know, you wouldn’t know. Then I decided I wanted to add the final border. I love how that turned out. It makes the quilt about the right size and in my mind, sets off the pattern nicely. But working with all that fabric was a headache.

First I got out my iron and ironing board. Yikes! By the time I pressed the last of it, the first part was already wrinkled. I just looked at it for a few days, wondering what to do next. I laid out the back, unrolled the queen sized batting on top, then added the quilt top. There was lots leftover. I trimmed away some of it, which helped a little. The table I was working on was always adequate in the past. I’m not sure why it was such a struggle this time, but it certainly was. Finally, I folded the would-be quilt, with all three pieces and left them for a while. I had to figure out what, where, and how to get this thing basted.

Finally I decided Friday night was it. Tired of looking at this pile of pretty purple fabric, I want to start quilting again. I decided the living room was it. I vacuumed. I moved all the furniture. I used painter’s tape to secure the corners and the middle of the backing fabric. Of course the tape didn’t stick to my vinyl flooring. I did the best I could though and spray basted one half at a time, first the top to the batting, then the batting to the backing. Then the other half. I did the best I could. Finally, I was able to slide a quilting hoop into the middle and secured it into place. Just the look of a quilt ready to be quilted is comforting to me. I placed the quilt hoop onto a wooden snack tray. The quilt drapes onto the floor, but should stay in relatively good form. Ryan, my cat loves new quilts, so I placed a towel on it to protect it from cat hair. Ryan is now its guardian.

I’ve decided to hand-quilt this quilt. I think the traditional pattern deserves traditional quilting. I’ve already taken a few stitches. Oh my, this is not comfortable. I am very rusty. I will need lots of practice, but that will come. I started by drawing a spiral into the middle of one of the Dresden plates. Wow, this is harder than I remembered. So much for quilting being a relaxing activity. Right now, I’m tense, the lighting is terrible where I’m working, my stitches are not uniform, and I definitely need to find my rhythm. That will come. Now, I’m ready for those cold, winter nights. Bring it on!

Organization and efficiency combine to get things done

Being organized is great on its own. Not only does it add to efficiency, but I’ve found recently that it also will allow me to finish what I’ve started.

I began this quilt a couple years ago—a purple Dresden Plate quilt.

I wasn’t sure what I wanted to do with it. I had toyed with the idea of hand-quilting it rather than quilting it on the machine. Since it is a traditional design, I thought traditional quilting would be fitting.

Not long ago, I unfolded it and was a bit surprised that it was a square, rather than a rectangle. I was bothered by that. I have no idea why I did that.

For a few weeks, I have been thinking about this, wondering if there was enough fabric to finish one more row. I know I had all the material in a plastic container that had been used for this quilt. I hadn’t done anything with it when I was organizing my stash recently.

Without actually really looking in the box, I figured there probably wasn’t enough fabric to add another row. I reasoned that since I had planned to add a border around it in a darker color anyway, I could simply add two borders on the top and bottom with one along the sides. That wasn’t an ideal solution, but it would make the quilt rectangular.

Since I had recently finished my baby quilt, and had a “clean” quilting space, I finally decided to open the box. I was surprised to see enough leftover fabric to finish four more blocks. Not only were there large pieces of fabric, but there were also several of the 4” fan blades or wedges, already cut. One “plate” consists of 20 wedges, which means I needed 80 of them. There may have been that many, although there were only quantities of about 15 different fabrics. I wanted no duplicates, so cut a few more to make up the difference.

In the box, there were also several squares of the background prints--alternating white-on-white and white-on-cream paisley prints—already cut.

The only thing left was to check out the sashing fabrics.

This is where the organization comes in. Since I had just “filed” my fabric by color, into cube shelves, it was simple to take a quick peek. I pulled out just what I needed in minutes.

I have been busy the last couple days, sewing the Dresdens together and hand-stitching them onto the background fabric. The four new blocks are almost completed. Hand quilting this quilt will be a marvelous project this winter.

So what's next? How about Orchid Flowers?

My pink flamingo quilt has been done for a few days now. Not having a project at my sewing machine has made me feel unfocused and a little scattered.

I need to get back to my sewing just to keep me sane, or at least aim for that.

I've been in a quandary though about just what the next project will be. I have so many ideas and there are so many options available. I have all but decided to revisit a UFO (UnFinished Object).

I think my next quilt will be one I started some time ago--a traditional Dresden Plate quilt in shades of lavender. I shall call her Orchid Flowers.

I did a little playing around with my Electric Quilt 7 software, just to come up with some kind of idea of what I want to do. I came up with this as roughly what it will look like.

I've always been drawn to these kinds of traditional quilts.

I already have a good start on this one, with several of the Dresdens already appliqued onto background squares. The squares are alternating white and off-white paisley prints. I love just about anything paisley. One day I am going to make an all paisley quilt, but I have some fabric to collect before that ever happens.

In my off-time, I'm also revisiting Craftsy's Quilt of the Month 2015 quilt. The class is taught by Jinny Beyer, one of my absolute heroes of the quilting world.

I haven't decided yet if I'm going to go all in--order the kit and make an exact duplicate of the beautiful quilt Jinny creates. There are always options, to just practice some of the techniques for another time, or pick out my own colors and fabric and go from there.

The kit is a lot of money to spend at one time, something I rarely do. I'm also a little leery of having a finite amount of fabric, just in case I cut into it and make a mistake. Ruining a piece of fabric would be costly, in so many ways. So the jury's still out on this decision.

I do love some of the techniques she teaches. In fact, I rather like the idea of piecing the quilt by hand. Jinny is masterful at her techniques. I love her color theory as well. I'm leaning toward purchasing the kit but haven't completely made up my mind yet. One morning I will wake up and know that is the right thing to do. I have always been curious about the beautiful border prints Jinny has designed. They look positively delicious. The colors are always rich and lovely. I have not had the time to actually participate in her classes, but I have watched all of them. The more I watch, the more I want to jump right in. But, I'm waiting until the time is right and I have a little more time.

I am also taking the Craftsy class with Peggy Martin on strip paper piecing. I have been watching those too before jumping in, and I'm starting to get excited about trying her techniques as well.

There is never a shortage of new things in the quilting world. I am so surprised by that. Each new door opens many others. There are so many things I want to try; there are so many things I have yet to perfect. Of course, the goal is always to master a skill, but more importantly, it is to enjoy the process along the way.

More than meets the quilter's eye

While this may look like a sunflower quilt wall hanging, to me, it is so much more.

My thanks to Jenny Doan of the Missouri Star Quilt Co. for the pattern that is "so me," as observed by my good friend Nancy. I am all about yellow, and happen to love sunflowers. This pattern brought me back to my childlike sketches of flowers. And, like Jenny Doan has admitted, I too love Dresdens. In fact I have a purple Dresden Plate quilt in the making. (Hmm, need to get back to that.)

Not only is this the first time I have ever free-motion quilted a piece larger than a 12-inch block, but this quilt taught me more than I ever imagined. I consider it totally instructional. I can almost imagine free-motion quilting an entire quilt, though I recognize that is some distance into my future. The bottom line is that learning is doing and practice is invaluable.

The best thing about this little piece, which measures about 22" x 35" is that I was able to stipple over the entire background surface of a quilt for the first time. I've never done that before. I love stippling and found it to be comfortable and relaxing. I completely love the texture after washing the quilt. I think it is beautiful. 

I've previously mentioned that my quilting story began fifteen years ago. I was hooked on quilting when I first saw a stippled quilt. It was a small wall hanging, not unlike this one. I was completely dumbfounded about how much I loved the texture created by stippling. To me, a quilt isn't done until it is washed. Doing so creates absolute magic where the entire background puffs up in just the right places. 
 
I tried my hand at McTavishing, the technique pioneered by award-winning quilter Karen McTavish, and now used by quilters the world over. I've never done it before either. I admit I need practice, but I will definitely be doing this again. I like how it looks. I like doing it. 

My weak areas continue to be stitching in the ditch, (SITD). More practice is needed because I'm just not good at that. I also need work on travel stitching. I suspect that I get so comfortable that I get careless. Need practice.

I'm thrilled with my new sewing machine, which I've discussed previously. I was careful to change my needle when I changed my bobbin. I believe that was twice during this project.


I loved quilting the pickets in the fence, because I decided to try to make them look like wood, including a tiny knot hole here and there. I was comfortable enough to simply play with that whimsical touch. 

The other part shown in this picture, is the binding that I am totally unhappy with. I will be taking it out. I never sewed a binding on a quilt before and will likely never do it again. I was tired though, after working on this for the entire day. That is a poor excuse. I will rip out both the top seam and the one that affixed  the binding to the back of the quilt. I will sew it to the front and hand stitch it to the back, as I usually do. I need the practice hand-stitching anyway. 

The border--arg! That was a real bone of contention with me. I prefer not to mark quilting patterns if I can help it. I now realize the value of marking in borders and sashing. I initially had, as the pattern depicted, a 2.5" border made from varied brown 5" strips. It really looked nice initially. Then I attempted to quilt them in a braid-like pattern free hand. Not good! So, before squaring and binding, I shortened the length and width of this piece by about 2.5" all around because I simply cut off what turned into an ugly border. I will not do that again! From now on, I will mark the pattern. Borders are so prominent and when the quilting is ugly, well,...it just won't happen again.

The three flowers, all different, all fun to quilt. I already know I'm not good at making spirals, so I actually marked this one in the first center. I also marked the grid lines in the second circle, just to keep it uniform. Those are the only marked parts on the whole piece. The third center uses pebbling, one of my favorite overall textures.

The bad news is that I got pretty good at "unquilting," or ripping out seams. I always tend to make stupid mistakes. Taking out free-motion quilting stitches is far less enjoyable than putting them in. For the most part, the stitches are small and difficult to take out. It is very time-consuming, which is why I spent two entire days at this. 

I have one more tip. When unquilting, or ripping out a seam, I hold tiny threads with a pair of tweezers. That is so much easier on the fingers. Instead of a seam ripper, I like to use an old sewing machine needle. It is sharper generally, so it gets into tighter places. Because free motion stitches are much smaller than regular stitches, a tiny needle seems easier to maneuver than a standard seam ripper.

I have no idea what my next project will be, but I can't wait to begin.