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Showing posts with label Dresden Plate quilt. Show all posts
Showing posts with label Dresden Plate quilt. Show all posts

Monday, July 17, 2017

Organization and efficiency combine to get things done

Being organized is great on its own. Not only does it add to efficiency, but I’ve found recently that it also will allow me to finish what I’ve started.
CHQuilts: purple Dresden Plate quilt

I began this quilt a couple years ago—a purple Dresden Plate quilt.

I wasn’t sure what I wanted to do with it. I had toyed with the idea of hand-quilting it rather than quilting it on the machine. Since it is a traditional design, I thought traditional quilting would be fitting.

Not long ago, I unfolded it and was a bit surprised that it was a square, rather than a rectangle. I was bothered by that. I have no idea why I did that.

For a few weeks, I have been thinking about this, wondering if there was enough fabric to finish one more row. I know I had all the material in a plastic container that had been used for this quilt. I hadn’t done anything with it when I was organizing my stash recently.

Without actually really looking in the box, I figured there probably wasn’t enough fabric to add another row. I reasoned that since I had planned to add a border around it in a darker color anyway, I could simply add two borders on the top and bottom with one along the sides. That wasn’t an ideal solution, but it would make the quilt rectangular.

Since I had recently finished my baby quilt, and had a “clean” quilting space, I finally decided to open the box. I was surprised to see enough leftover fabric to finish four more blocks. Not only were there large pieces of fabric, but there were also several of the 4” fan blades or wedges, already cut. One “plate” consists of 20 wedges, which means I needed 80 of them. There may have been that many, although there were only quantities of about 15 different fabrics. I wanted no duplicates, so cut a few more to make up the difference.

In the box, there were also several squares of the background prints--alternating white-on-white and white-on-cream paisley prints—already cut.

The only thing left was to check out the sashing fabrics.

This is where the organization comes in. Since I had just “filed” my fabric by color, into cube shelves, it was simple to take a quick peek. I pulled out just what I needed in minutes.

I have been busy the last couple days, sewing the Dresdens together and hand-stitching them onto the background fabric. The four new blocks are almost completed. Hand quilting this quilt will be a marvelous project this winter.

Monday, July 20, 2015

So what's next? How about Orchid Flowers?

My pink flamingo quilt has been done for a few days now. Not having a project at my sewing machine has made me feel unfocused and a little scattered.

I need to get back to my sewing just to keep me sane, or at least aim for that.

I've been in a quandary though about just what the next project will be. I have so many ideas and there are so many options available. I have all but decided to revisit a UFO (UnFinished Object).

I think my next quilt will be one I started some time ago--a traditional Dresden Plate quilt in shades of lavender. I shall call her Orchid Flowers.

I did a little playing around with my Electric Quilt 7 software, just to come up with some kind of idea of what I want to do. I came up with this as roughly what it will look like.

Orchid FlowersI've always been drawn to these kinds of traditional quilts.

I already have a good start on this one, with several of the Dresdens already appliqued onto background squares. The squares are alternating white and off-white paisley prints. I love just about anything paisley. One day I am going to make an all paisley quilt, but I have some fabric to collect before that ever happens.

In my off-time, I'm also revisiting Craftsy's Quilt of the Month 2015 quilt. The class is taught by Jinny Beyer, one of my absolute heroes of the quilting world.

I haven't decided yet if I'm going to go all in--order the kit and make an exact duplicate of the beautiful quilt Jinny creates. There are always options, to just practice some of the techniques for another time, or pick out my own colors and fabric and go from there.

The kit is a lot of money to spend at one time, something I rarely do. I'm also a little leery of having a finite amount of fabric, just in case I cut into it and make a mistake. Ruining a piece of fabric would be costly, in so many ways. So the jury's still out on this decision.

I do love some of the techniques she teaches. In fact, I rather like the idea of piecing the quilt by hand. Jinny is masterful at her techniques. I love her color theory as well. I'm leaning toward purchasing the kit but haven't completely made up my mind yet. One morning I will wake up and know that is the right thing to do. I have always been curious about the beautiful border prints Jinny has designed. They look positively delicious. The colors are always rich and lovely. I have not had the time to actually participate in her classes, but I have watched all of them. The more I watch, the more I want to jump right in. But, I'm waiting until the time is right and I have a little more time.

I am also taking the Craftsy class with Peggy Martin on strip paper piecing. I have been watching those too before jumping in, and I'm starting to get excited about trying her techniques as well.

There is never a shortage of new things in the quilting world. I am so surprised by that. Each new door opens many others. There are so many things I want to try; there are so many things I have yet to perfect. Of course, the goal is always to master a skill, but more importantly, it is to enjoy the process along the way.

Sunday, June 22, 2014

More than meets the quilter's eye

sunflower quilt
While this may look like a sunflower quilt wall hanging, to me, it is so much more.

My thanks to Jenny Doan of the Missouri Star Quilt Co. for the pattern that is "so me," as observed by my good friend Nancy. I am all about yellow, and happen to love sunflowers. This pattern brought me back to my childlike sketches of flowers. And, like Jenny Doan has admitted, I too love Dresdens. In fact I have a purple Dresden Plate quilt in the making. (Hmm, need to get back to that.)

Not only is this the first time I have ever free-motion quilted a piece larger than a 12-inch block, but this quilt taught me more than I ever imagined. I consider it totally instructional. I can almost imagine free-motion quilting an entire quilt, though I recognize that is some distance into my future. The bottom line is that learning is doing and practice is invaluable.

The best thing about this little piece, which measures about 22" x 35" is that I was able to stipple over the entire background surface of a quilt for the first time. I've never done that before. I love stippling and found it to be comfortable and relaxing. I completely love the texture after washing the quilt. I think it is beautiful. 

I've previously mentioned that my quilting story began fifteen years ago. I was hooked on quilting when I first saw a stippled quilt. It was a small wall hanging, not unlike this one. I was completely dumbfounded about how much I loved the texture created by stippling. To me, a quilt isn't done until it is washed. Doing so creates absolute magic where the entire background puffs up in just the right places. 
McTavishing 
I tried my hand at McTavishing, the technique pioneered by award-winning quilter Karen McTavish, and now used by quilters the world over. I've never done it before either. I admit I need practice, but I will definitely be doing this again. I like how it looks. I like doing it. 

My weak areas continue to be stitching in the ditch, (SITD). More practice is needed because I'm just not good at that. I also need work on travel stitching. I suspect that I get so comfortable that I get careless. Need practice.

I'm thrilled with my new sewing machine, which I've discussed previously. I was careful to change my needle when I changed my bobbin. I believe that was twice during this project.
picket fence

I loved quilting the pickets in the fence, because I decided to try to make them look like wood, including a tiny knot hole here and there. I was comfortable enough to simply play with that whimsical touch. 

The other part shown in this picture, is the binding that I am totally unhappy with. I will be taking it out. I never sewed a binding on a quilt before and will likely never do it again. I was tired though, after working on this for the entire day. That is a poor excuse. I will rip out both the top seam and the one that affixed  the binding to the back of the quilt. I will sew it to the front and hand stitch it to the back, as I usually do. I need the practice hand-stitching anyway. 

The border--arg! That was a real bone of contention with me. I prefer not to mark quilting patterns if I can help it. I now realize the value of marking in borders and sashing. I initially had, as the pattern depicted, a 2.5" border made from varied brown 5" strips. It really looked nice initially. Then I attempted to quilt them in a braid-like pattern free hand. Not good! So, before squaring and binding, I shortened the length and width of this piece by about 2.5" all around because I simply cut off what turned into an ugly border. I will not do that again! From now on, I will mark the pattern. Borders are so prominent and when the quilting is ugly, well,...it just won't happen again.

The three flowers, all different, all fun to quilt. I already know I'm not good at making spirals, so I actually marked this one in the first center. I also marked the grid lines in the second circle, just to keep it uniform. Those are the only marked parts on the whole piece. The third center uses pebbling, one of my favorite overall textures.

The bad news is that I got pretty good at "unquilting," or ripping out seams. I always tend to make stupid mistakes. Taking out free-motion quilting stitches is far less enjoyable than putting them in. For the most part, the stitches are small and difficult to take out. It is very time-consuming, which is why I spent two entire days at this. 

I have one more tip. When unquilting, or ripping out a seam, I hold tiny threads with a pair of tweezers. That is so much easier on the fingers. Instead of a seam ripper, I like to use an old sewing machine needle. It is sharper generally, so it gets into tighter places. Because free motion stitches are much smaller than regular stitches, a tiny needle seems easier to maneuver than a standard seam ripper.

I have no idea what my next project will be, but I can't wait to begin.