More than just a completed quilt top

It has been a busy year for me, for so many reasons, but my favorite part was finishing this quilt top. I loved every minute of it.

This is my version of "Homeward Bound," a block of the month, which means it took 12 months to complete. It was the 2023 project offered to members of The Quilt Show, designed by Sarah Fielke of Australia.

For profoundly personal reasons, this one means a lot to me. I just wish my late husband John was here to see it completed. This one will always remind me of John, who tirelessly encouraged my quilting and was always complimentary about every quilt I made. 

He had quilt appreciation in his DNA I believe, since his mother and grandmother, with whom he lived his entire life until he met me, were quilters. In fact, his grandmother still quilted when she was in her 90's. She did some amazing work.

I wasn't a quilter when John and I met. That was in October 1976. I didn't make my first quilt until 2004, but I knew then that this was something I would always want to do. And I have never looked back. This blog is filled with stories of my adoration for quilting.

John always raved about the many colors in my quilts, though I've always wondered just what he actually saw when he looked at them. I used to consult with him about color combinations until I realized he didn't see them the way I did. I used to laugh when he said our cats were black and white, though he insisted. They are in fact, gray and white. Color blind, he had trouble distinguishing shades and even colors, confusing blue with green and red with pink.

Making the quilt with a black background was also John's idea. He mentioned it once a few quilts ago, "Why don't you use black instead of white?" he asked. So, this one's for you, John. 

He liked what he saw, the first four months of work which included that entire center section. He died in May, the fifth month.

Quilting Therapy  

I have mentioned in a previous post during my years of taking care of John, a stroke victim with disabilities, how quilting was my therapy. That was never more true than with this one. I worked on it when I was exhausted, emotional, and just couldn't seem to do or think about anything else. My brain no longer worked, but my fingers did. Hand-sewing dominated this quilt and I learned to love the mind-numbing needling that to anyone else might have seemed tedious. I love hand sewing however and plan to do it as long as my fingers still work.

The same was true for my journey into the grieving process. While little else did, stitching brought me comfort.

First in my new studio

I worked on this quilt while my new quilting studio was being remodeled, as outlined in a prior post. As has become customary, I turned to the quiet comfort of hand-stitching while chaos surrounded me.

When I finally got to work in my new quilting space, the final border was done in two days. I was completely immersed in my new surroundings, on a new machine, at a new quilting table, in front of a window where colorful leaves gently fell outside.

Finally finished, the icing on the cake was when I was able to take a picture of this quilt top hanging on my newly affixed design wall. Never before have I been able to take a picture of a hanging quilt top. I was able to enjoy a new perspective on a finished quilt top that I had never had before as I looked at it straight on instead of it on the floor or a bed. 

Those two days in my new studio were wonderful, even though I realized I have lots of organizing and arranging still to do, but that will come. I hope to hone skills there, both organizational and creative. I'm now ready for a new year and a new project. 

Joy of the finish!

In this case, the finish is my latest quilt top; it is not quite a completed quilt, but to me, it is epic all the same. Once it is quilted and a completed quilt, I have no doubt it will be my favorite.

No, really. I know; I always say that about each project, as my friend Nancy points out to me with every quilt I make and deem my favorite, but this is different. I love everything about this quilt. I loved making it. I’m crazy about the varied fabrics, need for precision, and wide range of colors. But mostly, I am so grateful for all that it has taught me.

To be honest, if I would have seen this quilt in a magazine ten years ago, I probably would have thought it amazing, but would have kept on turning pages. I would not have decided to make it back then. I would have thought it to be too busy, too colorful, and just not to my liking. In my early days of quilt making, which actually pre-dates those ten-years by about double, I liked to make simple, almost Amish quilt designs. I leaned toward mono-chromatic color schemes. Admittedly, I may have been afraid of too many colors. I had little experience with applique and was not very good at it. So, I wouldn’t have had an interest in making this quilt years ago.

That was then; this is now.

Quilting has been a huge learning experience for me, with each project presenting its own unique challenges. I have always loved a challenge. Whether a new project presented a new design, colors, patterns, or skills, each quilt I have made has taught me something. Each one makes me a better quilter. And yet, there is still so much to learn, so many quilts I’ve yet to make.

In short, I grew into this one. This pattern was “The Quilt Show” 2020 Block of the Month, called “Afternoon Delight.” It was designed by the late Sue Garman. Her directions were impeccable and easy to follow.

This quilt top took about a year. All of the applique was done by hand. I learned to love needle-turn applique. I tried all kinds of different processes for preparing the pieces for applique. I’ve found that the best one for me is simply needle-turn, where the needle is used to turn the fabric under so it can be stitched to a background fabric or other piece.

This was a scrappy quilt, using fabrics I already had. The fabric and colors were of my own choosing, although a kit with the pattern and fabrics was available. I bought some new fabric as well. This project is retired now and no longer available on “The Quilt Show” website but it can be purchased elsewhere.

This quilt taught me to love a variety of colors. I no longer think this quilt has too many. I now wonder if there is such a thing as too many colors. This quilt compliments my sunshiny yellow walls and would do the same for any decor, since it includes a rainbow of colors.

In addition, I believe this is the first quilt I’ve ever made that is actually large enough to fit over the pillows and drapes over the sides of the bed.

Now, the only thing I have to decide is if I want to machine- or hand-quilt this quilt. I’m leaning toward hand-quilting. I believe less is desired, given the complexity of the design. We’ll see.

Quilting is learning

Every quilting project is a learning experience. My latest one, an incomplete project, was no exception.

I actually wrote about this quilt –my calendar block of the month quilt--last month when I decided to finish it. http://chquilts.ozarkattitude.com/2018/01/pretty-doesnt-need-perfection.html I love doing block of the month (BOM) projects because they tend to keep me interested. Every month is a challenge. Because I started this in 2012, there were some real challenges for me because of some techniques I had never done before. I had never done paper piecing and hadn’t done too many appliques either. This had both.

This was the first BOM I ever did. I really enjoyed learning new techniques and practicing the skills I already knew. Piecing was difficult for me back then, as was matching seams and achieving perfect points. To be sure, I did neither in this project, but I did the best I could at the time. Thankfully, I have improved since then.

Although I loved making the individual blocks, I wasn’t so enamored with the quilt itself. It was smaller than I would have liked. It never occurred to me to add blocks or borders to increase its size. If I was to do another one like this, I would probably do both of those things. I thought this project had little cohesiveness. I was bothered that it all seemed so helter-skelter.

Now that I have finished it, I really like how it turned out. I am no longer “afraid” of all the colors in it. I’m pleased that it has a theme—months of the year-- which really is its cohesiveness. My thinking has evolved since I first looked at all these unrelated blocks. I’ve also grown in my color appreciation. I am no longer turned off by the many colors here.

Quilting the quilt

One of the hardest things to do for myself and many other quilters is to decide how to quilt the quilt. I’ve often heard it said, and I now agree, the quilt will tell you how to quilt it. I know how hokey this sounds, but it is true; the quilt will speak to you.

For example, I had no idea how I was going to quilt the February block.

I knew I wanted the cats to stand out. I was rather fond of this block because I happen to have four cats. So, I used a tiny stipple to make the background dense. I also densely quilted the hearts, so the cats themselves would come forward.

One of the cats had a seam that had come loose. So, I decided to quilt an outline around the heart shape, which in turn, would tame that seam. Worked out great. This remains one of my favorite blocks.

Another one that gave me fits was the July block. I decided to use a red, white, and blue variegated thread. Big mistake, but I didn’t learn until it was way too late.

The blue stars didn’t turn out quite like I wanted them too. The red and white portion of the thread shows up on the blue background, but the blue does not. The problem with the feathers was that the white portion of the thread just looked like an unquilted space. I decided to do what so many quilters tell you to do if you are unhappy with how something turns out. Just throw more thread at it. I did that and they look so much better without the blank spots. 

I had no idea what to do with those pesky bird houses depicting June. There were no holes for the birds to fly into, so that was the first thing I had to do. I wanted to quilt them all differently, so I looked at the fabric and let it tell me what to do. On the blue/yellow one, I quilted wonky lines, following the fabric grid. I did the same on the yellow roof. In order to add some cohesion to the block, I added diagonal lines for the background. So, all of them look like they belong together, but remain all different.

Another place I used the fabric print to guide the quilting was on the jar that is the September block. I’ve been asked what the significance of that is. I assumed the jar was chosen to depict jelly making or canning vegetables from the harvest. My quilt is mine though, so I chose my jar to be filled with bugs. It reminded me of catching lightening bugs when I was a little girl. The fabric has bugs on it. So, I simply drew circles around them, in a form of pebbling. I like how the texture turned out on this block.

And that was the approach I took to all of the blocks. I enjoyed thinking through some of these issues.

This was the biggest project I have made with free-motion quilting. Everyone says it can be done, so I wanted to prove to myself that I could do it. Normally, I do quilt-as-you-go project, where the quilting is done on each block and they are assembled afterward. This was done traditionally. Truthfully, I didn’t see any real problem with quilting the whole quilt. Oh, it did take a little more muscle to fit the bulk of the fabric in the tiny space, but it wasn’t as bad as I had anticipated. I’m no longer afraid of quilting a large quilt.

Hold my breath, close my eyes, and hope for the best

Washing a new quilt is like making magic

Last night, I decided to hold my breath, close my eyes, and hope for the best. It was time to wash my newly-completed quilt. I had put it off all day, nervous about this final process. So much work and time went into this quilt that I couldn't bear to have to do any of it all over again.

I don't know how I would feel if any of the fabric raveled, stitches fell apart, or colors faded or ran. So I just held my breath, closed my eyes, and hoped for the best. Because of the vast contrast between the palest yellow and most vibrant turquoise, I also tossed in a color catcher.


I never pre-wash fabric before making a quilt. There is something about working with material right off the bolt that I really like. Not only that, but I despise the wrinkles, knotting, and needed pressing afterward. When I finally make my fabric choices, I want to get right to it. I do admit though, I'm growing more nervous about new fabrics however, since we all know nothing is as it used to be.

When I took my quilt out of the washer, a cursory glance made me feel better. The color catcher was a pale blue-green color, so I am glad I used it. I put my quilt into the dryer and followed the same procedure--held my breath, closed my eyes, and hoped for the best.

I settled into my favorite chair and watched some television as I waited. (I opened my eyes for this part.) About 30 minutes later, the dryer alarm summoned me. I unraveled the jumbled mass and much to my surprise and pleasure, my quilt had been transformed. I liked it before, but I love it now.  

 
I know instinctively that washing a quilt is like making magic, but I'm always cautious. No need. The quilting, which was somewhat dense in some areas cause the open spaces to pouf. The stippling that was so prevalent in many of the blocks turned out great, with just a hint of what I refer to as the stipple ripple. Even the border, which I was so unsure about, came out great. The stiffness in the white fabric I used for the backing was softened. The entire quilt felt rather stiff before, but now was soft and pliable. 

Still warm, I wrapped myself up in it, and settled back down into my chair. Soon, I had a cat come to snuggle, then another, then another. Finally, I had three of our four cats cuddling on my lap. Then one left and the other appeared. This is by far, one of the greatest moments of this quilt's history. I absolutely love quiltmaking.