Love those finished quilts

Saturday night concluded another epic quilting journey. I doubt there is little that is more satisfying than finishing a quilt. 

I finished this about 7 p.m. which is way beyond my quilting comfort zone, but the power went out at our house for a couple hours. The idle time gave me a while to contemplate the quilting journey I was just wrapping up.

This quilt is from the Building Blocks Quilting project sponsored by my FMQ (free-motion quilting idol,) Leah Day. Her pattern for this quilt-along consisted of 42 blocks that focused on both piecing and FMQ skills. When I began the class, I already had some FMQ experience, but I always like to learn new tips, ideas, and techniques. I also relish the opportunity to practice my skills. There are some that I just can't quite master, like interestingly enough--the most basic skill--stitching in the ditch. I'm terrible at it. I need more practice at it.

My first decision

The pattern called for two solid fabrics, so the stitching would reveal mistakes as well as show positive progress. Many of the gazillion people who signed up for this quilt-along, from all areas of the globe, had never done FMQ before. 

This is my third FMQ quilt however, so I'm not a complete novice, though I still feel like a beginner in many ways. 

I had always wanted to do something with black and white fabric, which I had been collecting. So I decided early on to use a variety of that with my other favorite color--pink. To be honest, I'm not sure pink is my favorite any more. I've grown to love ALL colors. 

I also made a decision midway through that I wanted a bigger quilt. I reasoned that since I had never worked with varied-sized blocks before, I wanted to give that a try. So when everybody else was finished with their 42 eight-inch blocks, I was still at it. At this point, followed the lead of one of my fellow quilters on the Building Blocks Facebook page, that had put tiny pictures of her finished quilt blocks into the pattern grid. It was a good measure of our progress, clearly showing the yet-to-be completed blocks. I loved the idea so using Windows Paint, I took the pictures I had already taken of my blocks, resized them, and copied them onto the pattern. This is what it looked like. 

I then cut out each of those squares and individually pasted them onto graph paper, moving them around and adding a few double-sized or half-sized blocks. Because there were so many 8" x 8" blocks, I thought just a few additions would give the quilt added interest. I decided on double-sized blocks. Then I had to decide on a pattern for those 16" x 16" blocks. I chose my signature block, the Double Star, a Dresden Plate, a Chain block, and a flower block, all of which were in other quilts I've made. I made a couple of 4" x 4" blocks, one that was 8" x 16", and even filled in with a couple more standard 8" x 8" blocks. My-six by -seven block quilt had grown to almost twice the size of the original. It was now 7 blocks wide and 10 blocks long. 

Finally, when all the blocks were done, and I laid them out and took a digital picture of the final layout. At the same time, I tried to vary the layout of the back of the quilt. The printout was my final diagram. Then I set out to join the blocks with the QAYG (quilt-as-you-go) method. 

This was particularly challenging for me. I never did binding by machine before. I had a really hard time keeping my seams straight at the same time as trying to hold the fabric in place. I used my walking foot, but I'm not sure if that was a help or hindrance. It seems as though this took arm strength to manipulate that heavy quilt. I found it to be exhausting. The last quilt I did used 12" blocks plus a sashing around them which resulted in far fewer seams to bind. 

With the varied sizes, I had to also figure out the proper order to sew the blocks. It was not as easy as just sewing all the verticals and then all sewing all the rows together. 

Once I figured it out, I labeled each grouping of rows. For example the first row was easy; one after the other. But for the second row, I marked the first 2 blocks as row 2 A because they had to be sewn to the top of the 16" flower block. The next 3 blocks were labeled row 2B because they had to be sewn to row 3B before they could be attached to the huge star block, and so on. The figuring wasn't difficult, but following my own directions were a bit iffy. I got pretty proficient in seam ripping. More than once I sewed the rows incorrectly and had to flip them and do it all again. 

It took three full days and part of the fourth to finish this part of the process. When I finally reviewed the method for making a two-toned border, I had far fewer problems. In fact, this was the first time I bound a quilt without having to look up the directions on how to finish. I joined the binding strips on the first try. 

Taking this quilt out of the dryer and seeing that nothing had fallen apart, the colors hadn't run, and all the quilted areas were all poofy and quilty-looking, I was a happy camper.  

If fact I am anxious to start the next one. 

See this and other quilts from the Building Blocks Quilting Project here.

Quilting challenges; jumping in with both feet

My quilting pursuit has led to an insatiable desire to further challenge myself. And, there are so many possibilities. It seems there are always new skills to practice and new ideas to ponder; there is always something to try that I haven't done before. From what I can see, quilting has no bounds.

This is such an exciting time to learn, not just about quilting, but whatever our interest. It is easier than ever before to get answers to each question that comes to mind. Just Google it. Someone has probably asked the same question already to which multiple answers are available.

For me, and my latest quilting obsession, my questions are often satisfied by the abundance of You Tube videos filled with instruction and inspiration. I'm so grateful to the many artists that have come forward to share information and techniques with the rest of us.

My most recent quilt, 'Stars on Point,' was more to me than a comfy coverlet for the bed. It was a learning experience.

I learned new skills and honed some of those I had already become familiar with. I've already written about some of those in earlier posts, but to summarize, the following are just a few of my challenges from this project:

• Moving bravely away from monochromatic projects; This is the first time I designed a two-color quilt.
• More precise piecing; There is no end to the need for practice matching points and keeping seams straight. Precision is necessary in cutting, sewing, and pressing.
• Practicing paper piecing; Some of these blocks were created using paper-piecing. I hated it when I first tried it. Now, I'm seeing how useful it can be and am anxious to further explore this technique.
• Practice at free-motion quilting; I will always need to practice this skill. Thankfully, I have noticed an improvement since I first started. I am now more comfortable free-motion quilting. This is the second quilt I have done this way--as a quilt-as-you-go (QAYG) project, where the quilting is done before assembling the quilt rather than after. I'm hooked. I've learned that quilting is more than a way to anchor the piecing. It is a design element all its own, enhancing the look of the design.
• First steps at modifying and enhancing a design; This was a Block-of-the-Month (BOM) project. When the year was over, there were 12 blocks that if sewn together and quilted traditionally would have made a perfectly acceptable and beautiful quilt. But I wanted more. So, I decided to set the blocks on-point, added 6 additional blocks and matching side triangles, to form a secondary pattern. Because the blocks are the same and form a linear pattern that travels across the quilt, they serve to draw the quilt together providing unity to what would have otherwise been just random blocks.
• Laying out blocks on point, complete with figuring set in triangles; I have never done this before and didn't have the first idea how to start.
• Carrying out the desired pattern into the set in triangles; I had no idea how to do this. Math equations, triangles and me, normally do not get along well, but I muddled through it.
• Practice with Electric Quilt 5 (I bought it years ago and never used it); EQ5 saved me by allowing me to draw a template and figure the size pieces to cut for the setting triangles and corners.
• Designing a pleasing patchwork backing; I wanted this quilt to be yellow and white gingham on the back, to be reversible, so I needed to follow a pattern on the front and on the back at the same time. I took digital pictures of the layout to help with that task.

The task at hand continues the challenge

I am currently working on Leah Day's Building Blocks Quilt Along, which I have also mentioned previously in CHQuilts. I've named it simply, "Black and white and pink all over."

The work on these quilt blocks is almost finished. The diagram at left isn't current, since I've already completed three of the six remaining blocks.

I've decided however, that it might be fun to challenge myself on this project as well. The blocks are going to finish at 8" x 8". There are 72 of them, so the quilt will be lap size. I've decided to add a few blocks to it. I have never made a quilt with varied sized blocks before, but that is my aim. I have no idea if this is going to work, or if it will look good until I lay it all out. I will do keep my fingers crossed.

To figure out dimensions and what I still need to accomplish my goal, I printed out this diagram. I cut out the individual blocks and pasted them onto graph paper, drawing in the additions. So far, I've sewed a couple of them. There will be a few 16" x 16" blocks, a some  4" x 4's" and perhaps a few 8" x 4" blocks.

My first endeavor was to add my favorite block--the double star block--which I refer to as my signature block. I have made several table runners using it and I have also put it into my last two quilts. This will make the third.

I just love everything about this block and I never tire of making it. I did, however, have to figure out how to cut the pieces to the right size since the instructions I have is for a 12" x 12" block. So, once again, I used EQ5 to draw the block and print out the proper dimensions. After many hours of trying to figure out the program again, it worked! This block is 16" x 16," so it will be one of three large blocks in the quilt.

I've pieced these three blocks, (left)--the second pic contains two 4" x 8" blocks--that will be used for fillers in this quilt. I haven't quilted them yet, but am thinking of an overall stippling design. I could probably stipple all day long. That is real progress, since the first time I did this overall meander stitch, it was anything but comfortable. Now, it feels perfectly natural.

I enjoyed making these blocks. It was a day of mindless sewing as I was practicing making flying geese by sewing triangles together. That worked pretty well and this was the result. I was able to use up some scrap fabric, which also makes me really happy.

Waste not, want not!

Could there be a better compliment for a quilter?

With autumn in the air, the temperature  has cooled, both inside and outside the house.

I couldn't make the bed today, as it was still being occupied, long into the morning, even though I'd been up for hours.

When I got up, this is where I left them. It is apparently where they want to remain. Who can blame them? There is nothing more cozy than cuddling in a homemade quilt...just ask Ryan and Kasey.

Hold my breath, close my eyes, and hope for the best

Washing a new quilt is like making magic

Last night, I decided to hold my breath, close my eyes, and hope for the best. It was time to wash my newly-completed quilt. I had put it off all day, nervous about this final process. So much work and time went into this quilt that I couldn't bear to have to do any of it all over again.

I don't know how I would feel if any of the fabric raveled, stitches fell apart, or colors faded or ran. So I just held my breath, closed my eyes, and hoped for the best. Because of the vast contrast between the palest yellow and most vibrant turquoise, I also tossed in a color catcher.


I never pre-wash fabric before making a quilt. There is something about working with material right off the bolt that I really like. Not only that, but I despise the wrinkles, knotting, and needed pressing afterward. When I finally make my fabric choices, I want to get right to it. I do admit though, I'm growing more nervous about new fabrics however, since we all know nothing is as it used to be.

When I took my quilt out of the washer, a cursory glance made me feel better. The color catcher was a pale blue-green color, so I am glad I used it. I put my quilt into the dryer and followed the same procedure--held my breath, closed my eyes, and hoped for the best.

I settled into my favorite chair and watched some television as I waited. (I opened my eyes for this part.) About 30 minutes later, the dryer alarm summoned me. I unraveled the jumbled mass and much to my surprise and pleasure, my quilt had been transformed. I liked it before, but I love it now.  

 
I know instinctively that washing a quilt is like making magic, but I'm always cautious. No need. The quilting, which was somewhat dense in some areas cause the open spaces to pouf. The stippling that was so prevalent in many of the blocks turned out great, with just a hint of what I refer to as the stipple ripple. Even the border, which I was so unsure about, came out great. The stiffness in the white fabric I used for the backing was softened. The entire quilt felt rather stiff before, but now was soft and pliable. 

Still warm, I wrapped myself up in it, and settled back down into my chair. Soon, I had a cat come to snuggle, then another, then another. Finally, I had three of our four cats cuddling on my lap. Then one left and the other appeared. This is by far, one of the greatest moments of this quilt's history. I absolutely love quiltmaking.

Speechless for now!

I can hardly think of a thing to say, except that I have finally finished sewing the last stitch on this quilt, 'Stars on Point'. I love how it turned out and couldn't be more pleased. Mostly I'm pleased because it is finally done! And it's reversible!

In the coming days I will be more able to reflect on what a monumental project this was for me, challenging me in every way, especially with new ideas, skills, and techniques. For now, since it is the first day of Autumn, I think I'll just wrap up in it and revel in the fact that it is finally finished, after 32 months in the making.

 

Nostalgia is more than a date on the calendar

I admit, I have been pretty remiss in posting here of late. I guess I just can't reconcile how to write about quilting while spending so much time at the sewing machine.

Over the last several weeks, I've been immersed in quilting, diligently trying to finish a project that in January will hit the three year mark. My aqua and yellow quilt, which I've written about many times before, is close to completion. I have no pictures to post; at least not yet. I swore to myself I wouldn't post a picture until it is completely FINISHED!

Not only has it been a joy to work on this quilt, but I have learned so much during the process. More about that when I post a picture.

Quilting is like sitting on a therapist's couch

Spending so much time at the sewing machine, it wasn't just my hands that were busy. At times my thoughts kept pace with the breakneck speed of my needle. 

One of the thoughts that popped into my head, came from a seemingly far away place--my first job--one that I held while I was still in high school. Perhaps my love of quilting was rooted far before I sewed my first stitch.

Nearly 50 years ago, I worked at Neisners, a five- and ten cent-variety store, located in a shopping center. I remember making $1.40 an hour, which was minimum wage at the time. It may not sound like much now, but it was enough to allow take the pressure off my parents when I wanted to buy bell bottom pants, mohair sweaters, Beatle records, and even to go roller skating on the weekends. 

As I was thinking about that job, I remember how much I enjoyed it. I worked after school and on weekends in the notions department. I didn't know very much about sewing in those days. But I liked all those little objects that were a part of it. Among the many tiny bins there were packages of needles, pins in heart-shaped plastic containers, pin cushions, safety pins, buttons, zippers, and the huge displays of thread. There were spools of thread in nearly every color, always neatly arranged. Rarely did we run out of a color. If I saw we were getting low, I ordered more. There were two or three rows of white and black spools, but there were also rows of colored thread arranged by varied shades from light to dark. In addition to waiting on customers, a big part of my responsibility was to keep all  the shelves, bins, and counters tidy. I was responsible for ordering, stocking, and arranging displays of all those items. In those days, workers were told to "look busy if there were no customers to wait on. I didn't mind that at all because I always had something to arrange or rearrange. I enjoyed the work, so I didn't mind.

I haven't thought about that job in years. Even now I struggle to remember more of the details. But, I remember enough to know that many of the practices I employed in that job have stayed with me, or perhaps come back to me. 

My sewing area is very small, so it is easy to make a real mess while working on a project. I have often laughed at myself for being so eager to clean up. When I finish for the evening or complete a project, I enjoy sweeping away stray threads, wiping away lint, sorting leftover fabric scraps, and generally putting everything in its place. I'm not a neatnik by any means; in fact, I'm quite the opposite in most other aspects of my life. But I really like a clean, efficient sewing area. I still like to arrange those little things. 

I'm relatively new at quilting--just 15 years now--so even though I thought all these tools of the trade were new to me, perhaps they really aren't. It wasn't until I really thought about it that I realize I am just revisiting a very old habit, one I undoubtedly was trained for from an earlier time in my life.  

I love that quilting is the kind of activity that lets me be alone with my thoughts. And there are times it is nice to revisit some of them.

It is all about the tools

It has been some time since I mentioned the progress I and many others, are making on the Building Blocks Quilt Along, a project hosted by free-motion quilting instructor and free-motion quilting extraordinaire, Leah Day.

A random sampling of quilt blocks ready to be sewn together into a quilt

The blocks for this quilt which I'm calling "Black and white and pink all over," for obvious reasons, are stacking up nicely, with new blocks being completed regularly. The quilt should be completed by Thanksgiving.

Pressing seams open  

One thing has really confounded me about this project. Leah has instructed us to press our seams open. While I get the concept, actually doing it requires a change in habit and in thinking. It is a little more time-consuming to press the seams open, but it does help the quality of the free-motion quilting stitches when there aren't huge bumps to guide the needle over.

Since I've been heavily engaged in quilting, I have come to realize that the pressing is nearly as important as the cutting and piecing. If pieces aren't pressed well, things just don't go together as well.

But pressing seams open; I was having trouble with the discipline. I had learned to press seams to one side, and have always done it that way, as do most quilters. Pressing to one side makes nesting opposite seams fit together, which is essential in matching seams, angles, and points. I've found though, that when pinning two adjacent seams together, is is even easier to match. I hated maneuvering my iron over the sometimes multiple seams. And, working with a hot iron was pretty uncomfortable for my fingers.

Being the problem-solver that I am, I thought I'd try a mini iron. Up until this point, I thought they were just silly gizmos that only people with lots of money bought. I am a frugal quilter, so I rarely entertain the idea of buying gadgets. Then one day, I realized this might be the solution to my dreaded open seams problem.

I wrote mini iron on the shopping list. My husband John, who hates being cooped up in the house, likes to run errands. I am a home body with a capital H, so I prefer to stay home. It works well for us. John is always good about sticking to my list. He asked me what a mini iron was, so I explained it to him. He brought home a Dritz Petite Press mini iron.

Once I tried it out, my life was changed forever. Not only is it easy to use this tiny iron to press seams open, but it has done wonders for my applique abilities as well. I've been able to put away my iron, which saves space in my small sewing area. And I haven't burnt my fingers once. This has been a great solution. I don't know what I ever did without it.