I just had an epic quilting day

I finally completed my latest quilt top. This quilt—Sizzle—the 2019 Block of the Month project from The Quilt Show was designed by Becky Goldsmith, who did an awesome job creating and sharing this lovely pattern and providing instructional videos. She also included numerous tips and ideas that were very helpful.

This project took up most of 2019 for me, even though I got a pretty late start on it. The blocks were paper pieced and the border was appliqued.

The project was billed as a kit, but the pattern was free to members of The Quilt Show, co-hosted by Alex Anderson and Ricky Tims. I love this show and have written about it many times in CHQuilts. I decided to pick my own colors and fabrics for this project. It is similar to the color of the kit fabrics, but I wanted to use my own. I really enjoyed picking my own color combinations for each block. These are some of my favorite colors.

This project offered great challenges for me. This wasn’t the first time I’ve done paper piecing, but these patterns were fairly complex. Each endeavor honed my skills. Ironically though, each attempt at something new, whether I’ve done it before or not, always feels like a first. Perhaps the real skill I’m really improving upon is simply overcoming the fear of cutting into all that beautiful yardage.

Like paper-piecing, this wasn’t the first time I’ve used applique on a quilt, but the technique, which I’ve described in a previous post in CHQuilts, was new to me. I am pleased with the results.

I’m not sure what kind of backing fabric I want to use or if I want to piece the backing. And, I have no idea how I want to quilt this quilt. I may spend some time working on other projects as I attempt to figure that out.

The second part of my epic quilting day had to do with a quilt I’ve had lying around unfinished for far too long. It is a purple Dresden Plate quilt that I chose to hand-quilt. I decided to work on it last night, while listening the Donald Trump impeachment hearings.

I found that I was just not enjoying the hand-quilting as much as I once did, at least not on this quilt. That was a reason I wasn’t working on it. I just didn’t want to admit it to myself. But last night, I decided to be honest about it. I just wasn’t loving it like I normally do.

There were many reasons for this, not the least of which included some wrinkling in the backing fabric. That is a real no-no!

I had initially spray-basted the quilt sandwich and over time, and this neatly folded piece of fluff in the living room became a favorite resting place for one or more of my cats, the integrity of the quilt sandwich had broken down. I made a big mistake as well, in trying to quilt all the ‘plates’ first instead of starting in the middle and working outward. In fact, I hadn’t even decided what to quilt in the borders. That decision along with some marking should have been done from the middle out. I also quilted without a hoop. By not working from the middle out, it was dangerous not to use a hoop and keep the backing tight. I had only completed the quilting on five of the 20 blocks.

Additionally, I wasn’t careful about how I pressed seams, so trying to work the needle was difficult. I no longer have calluses on my fingers so pricking my finger and the edge of the thimble was just not comfortable. I also noticed that my eyesight isn’t what it used to be. For all these reasons I decided I would quilt this quilt on my sewing machine.

With all these factors, I made the decision to remove all the stitching I had already done. I grabbed my favorite seam ripper and began making a huge pile of thread. I got all of my “unsewing” completed that evening.

Just having that decision made, and having a clean project ahead, I’m getting a little bit excited about finishing this quilt.

I really enjoy hand quilting it isn’t drudgery as this one was. When there are just two layers of fabric and batting, which was not the case with these tiny blades of the Dresden Plate, hand-quilting is a joyful activity. That was not the case with this project. I think I knew I would never finish it. So, that has all changed. I’m excited about pressing the fabric again and starting over with my sewing machine. Truthfully, I can’t wait to get started. I suspect this will be a beautiful quilt.

Happy Quilting New Year

My quilting life seems to be shaping up for the New Year. Only 13 days in and I can envision a completed quilt top in the near future. I am also contemplating a new project, another Block of the Month (BOM) quilt from The Quilt Show—entitled Afternoon Delight. ..more about that in the coming days.

This quilt—Sizzle, a design by Becky Goldsmith for The Quilt Show—should have been completed in a year, and I am a bit behind, but that’s of no concern to me. I try not to fret over time because I just don’t seem to have enough of it and because I so enjoy every aspect of quilt making. It would be just wrong to put pressure on myself to finish a project on a schedule. That would detract from the pleasure I derive from the process. Quilting is not a one-step endeavor. There are many steps. I try to face each one with exhilaration and excitement. There is no dread in quilting because I know I will either learn something new or practice something that I want to improve upon. That is a kind of pressure too, but it is not a negative. Trying to conquer my untested skills is just a part of it. I like a challenge and tend to pick projects that will eventually make me a better quilter.

Yesterday I finished the first side border on my Sizzle quilt. Today I will finish the second. The top and bottom borders will take a little longer simply because they have more applique pieces.

There was some time between finishing the quilt blocks, sewing them together, and starting on the borders. I was hesitant. Although the applique pieces were already cut out and prepared with the raw edges glued under, I was concerned about a design issue. I didn’t have quite enough white-on-white fabric, the same one I used in the quilt top. I tried to determine how to cope with this. I could have used the off-white background fabric. I could have used one of the colors already in the quilt. Or, I could have made smaller or different borders.

Then I found that I had a very similar white-on-white fabric that read the same shade of bright white as the one I had used in the quilt. Without a magnifying glass to identify the pattern, the two looked very similarly. Once quilted, the difference might not even be discernible close up.

Once I found my color confidence, it was time to cut the fabric. Eight pieces cut to 7” wide by the width of fabric were all I needed. The white paisley print is lovely. Being a 60’s child, I just love paisley. I will have to replace this next chance I get. I love working with fabric that I love.

My next decision was about the color thread and the stitches to use. I settled on two colors of thread and three different stitches. I practiced sewing them until I was pleased with the results.

My applique is not perfect, but isn’t bad. The stitches will hold the pieces in place, which is their purpose. The overall effect is good. So, all-in-all, I’m happy with how this is going. On to finishing the borders and thinking about backing fabric and batting for this lovely quilt.

I hope this quilt speaks to me as my others have because right now I have no idea how I am going to quilt it.

Always have to have a Plan B

With the holiday in the middle of the week, there have been just too many things to do to get to quilting, but now, the errands are done, the house is somewhat liveable, and most of the chores are done. It is time to get to it.

I was so excited to finally start working on the end of my quilt top--laying out my applique pieces for the top and bottom borders of my quilt. I have yet to cut the fabric for the borders. That was where I planned to start. That was yesterday.

Time for Plan B

Thing is, I realized that according to the pattern, the side borders were to be positioned first. I hadn't even started to work on all those applique pieces. That means I had to cut out and prepare (gluing all the raw edges) them. Thankfully, there aren't as many, however, those swirly shapes are a bit more complex.

Once I cut out all the pieces, I was anxious to use my double finger press method to prepare all the applique pieces expeditiously. 

I recently purchased a new glue stick from Sewline. It is much smaller, and easier to hold like a pencil. It is much less clunky than the giant Elmer's glue stick I had been using. The smaller surface made it less messy. The glue stayed where I put it. 

It seemed to me though that the glue wasn't quite as sticky, but once it was pressed with the iron, it seemed to hold even better. 

I spent the day yesterday cutting all of the pieces and preparing all but the swirlies. I hope to finish those today. Perhaps this quilt top will be completed by the end of 2019--stay tuned. 

Easy applique with the double finger press method

When trying to prepare pieces for applique for the border of my quilt, I have tried using various tools to help with this somewhat tedious task. But, I realize the old adage that the best tools are my own hands.

I’ve tried many different methods of preparing shapes for applique using a template, but I’ve finally settled on the one that works best for me. It is the simplest method I’ve found and is the one I am the most comfortable with. It is my own double finger press method.

I have been using an Elmer’s School Glue stick to glue the raw edges under and a portable iron to press the finished pieces. I then use my double finger press method to create nice shapes that resemble my template.

I’ve attempted to illustrate my favorite applique method below:

This small leaf shape was cut out of freezer paper and pressed to the right side of the fabric. Once adhered, I roughly cut out the piece with a small seam allowance. Precision isn’t important here as long as there is enough fabric for a turned under edge.

The next step is to simply finger pressed the fabric to the back of the shape, all around it. Firmly finger press the piece all around the edges along the shape. I used to have little respect for finger pressing, but in this instance, it paves the way for a nice rounded finished piece. This extra step only takes a moment and makes all the difference.

When the shape is pressed, apply glue to one side of the shape at a time, and again, finger press as was done earlier. Gently move around the shape to make a nice rounded edge. 

When all the edges are finger pressed, and the point is secured with the glue, just snip off the excess to create a perfect point.

Turn the shape over to make sure that all the parts are glued securely. If not, apply a bit of glue where needed. I generally use a manicure stick for this purpose, though it is rarely needed if enough glue is applied correctly at the onset.

Once completed, remove the paper and give the shape a quick press with a hot, dry iron. The leaf is now ready to be applied to the surface of the quilt, either by hand or by using a machine applique techniques. 

I’m pretty pleased with how these tuned out as shown below. 

Getting comfortable with applique

I’ve always been a little intimidated, yet intrigued by applique; you know, those beautiful quilts with hundreds of tiny pieces that make up scenes, patterns, and motifs on quilts.

I’ve dabbled in the art of applique, but was never really good at it. The first quilt I ever made used applique pieces. I’ve learned however, that in quilting, as in life, practice makes perfect. Thankfully, I’ve also learned that nothing is really perfect, and that is okay. I still love this quilt because it was my first, but it is certainly not my best work.

I have done a few more applique pieces since then, and my skills are improving, but I am still not comfortable with it. I need more practice.

One of the things I love about quilting is how much there is to learn. And with each endeavor, my skills continue to improve. This first quilt was just a jumping off point, and I haven’t stopped jumping yet. I doubt I ever will. The more I learn, the more I realize how much there is to learn. I knew when I sat at the edge of my bed, in the sunlight, quilting this quilt that I would be a quilter for the rest of my life.

I know I will get plenty of applique practice with the border of this, my latest quilt project. It is the block of the month for 2019 designed by Becky Goldsmith for The Quilt Show of which I am a proud member.

This quilt screams precision, so I want to make sure I get the appliqued borders just right.

My first attempts at perfect circles took some time, a little study, and a bit of practice, but I’m getting there. Perfecting those petal shapes with their sharp points is getting easier as I go too. By the time I finish gluing all the edges to prepare them for sewing onto fabric, I should be an old hand at this.

Hand or machine applique—on no—another decision. When the time comes, I’ll figure that out too. But for now, I have some work to do.

This one's for you Dad

I just finished sewing nine random quilt blocks into one cohesive piece. It is almost a quilt though it is still not yet finished. It will have a five-inch border around all four sides, with applique motifs. And of course, it will have to have a backing fabric and batting inside before I can quilt it. Perhaps it will be done by this time next year.

This project has been a joy to work on; offering just the right challenge to my skill level. I believe this project has enhanced my skills because I nailed it. Though it may not be my design, I have certainly made it my own by choosing some of my favorite colors using fabrics I have been collecting for years. I love the round blocks, the points, the shapes and overall symmetry of its elements.

This quilt, designed by Becky Goldsmith as the 2019 Block of the Month for The Quilt Show co-hosted by one of my favorite quilting instructors, Alex Anderson (and Ricky Timms who I have only recently become acquainted with), is called Sizzle.

The best part about this quilt is that it reminds me of my father. I was drawn to it the moment I saw it.

While sewing the seams together, I thought about that. My father died at age 79, in 2003. This is the time of year I’d always thought about him. His birthday would have been in two days.

My father was the smartest man I’d ever known. He was also the most tolerant, patient, and easy-going person with a delightful sense of humor. He loved a challenge; the harder the better. And he was a bit of a mathematical genius. There wasn’t anything my father couldn’t do, and I’m not the only one that says that. Everyone who knew him sang his praises. He taught himself everything he knew, and in my view, he knew just about everything. I remember one year at Christmas time, when I was just a little girl, maybe five or six-years old, he made a three-dimensional star for the top of our Christmas tree out of cardboard, meticulously gluing each piece together. I can’t recall how many points it had, but it was certainly more than the typical five, six, or even eight-point star. He meticulously glued red and green Christmas wrapping paper onto the points. It was beautiful, and it was perfect.

Another year, he decided to learn woodworking. As was his habit, he sat down with a few books and taught himself. He also did that with photography, computer programming, playing the organ, and so much more.

He was a machinist by trade, so mathematics and using tools was his thing.

For Christmas one year, he made family members an icosahedron, a 20-sided object constructed out of varied wood veneers by using equilateral triangles. I cannot imagine how to even begin to figure the dimensions mathematically, but that came easily to him. He figured it out, cut the pieces, and then glued them together. I’m heartsick that I no longer have the one he gave me, but it was damaged beyond repair some years ago.

So stars and points, intricate design, and challenges will always remind me of him. The moment I saw this quilt pattern, I was completely taken by it. I had to make it, even though I questioned whether or not I could. And I’m glad I did.

I think my father would have loved everything about this quilt as I do, so I am making it for him, to honor him. Happy Birthday Dad.

Quilting magic

Quilting is transformative, seemingly making something out of nothing. A finished project is beautiful and the steps to get these are numerous, with each one a mere contribution. But if you look at the very beginning and the very end and you aren’t sure how it happens, it looks like magic.

Quilters understand how to make it happen, but for those who have never thought about what goes into making a quilt, here is one example of one quilt block, one small part of an overall project, and why quilt making just amazes and delights me, every single time.

As I’ve stated in previous posts, my current project is a quilt from a pattern, a block of the month pattern made up of nine blocks.

I could have ordered a kit, which included not just the pattern, but would have provided all the fabric needed to complete the project as well. Instead, I decided to use my own fabric, from my stash, that which I’ve collected over the years. Either way, the magic is the same.

First, I chose the colors I wanted to use; I then selected the fabric. I decided on a finite array of fabrics and as I chose to create each block, I chose the colors I would use from that array. I aimed for a scrappy look. Since all the colors go together, I just picked the fabrics I would use for each block, treating them all as a separate project. The above is what I chose for one block.

It never ceases to amaze me, how the process begins with whole pieces of fabric.

Then those fabrics are cut into pieces, as the pattern dictates, as shown. All of the steps are reliant on precision. It is funny to imagine how these pieces when sewn together will amount to anything.

But they do! All of the steps are crucial. And if done correctly, the result is a beautiful quilt block. 

This is the result! Just like magic!